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8. Use two cams Beg, borrow, employ, or take an additional video camera for the day, and set it up with a different lens. I attempt to shoot with one wide-angle lens (fantastic for candid shots and in tight areas, especially before the ceremony in the preparation stage of the day) and one longer lens (it can be helpful to have something as big as 200mm if you can get your hands on one; I use a 70-200mm).

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Think about a second wedding photographer Having a second professional photographer can be an excellent strategy. It means less moving during the ceremony and speeches, and it permits one photographer to capture the official shots while the other gets candid shots. It likewise takes a little pressure off you as "the one" who has to get every shot! 10.

Nevertheless, timing is whatever, and planning ahead to get in the best position for key moments is very important so as not to disrupt the occasion. In a ceremony, I attempt to move a minimum of 4-5 times, however I attempt to time my move to accompany tunes, preachings, or longer readings.

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You're driving the program at this point of the day and require to keep things moving. 11. Find out how to utilize diffused light The ability to bounce a flash or to diffuse it is essential.  This Is Cool 'll discover in numerous churches that light is extremely low. If you're allowed to use a flash (and some churches don't allow it), think of whether bouncing the flash will work (remember that if you bounce your flash off a colored surface area it will include a color cast to the image), or whether you may desire to buy a flash diffuser to soften the light.

A lens with image stabilization may also help. Find out more about using flash diffusers and reflectors. 12. Shoot in RAW I know that lots of readers feel that they do not have the time for shooting in RAW (due to additional processing), however a wedding is one time that it can be especially helpful, as RAW offers a lot more versatility to manipulate shots after taking them.